![saxshooter](/img/default-banner.jpg)
- 58
- 333 523
saxshooter
Приєднався 2 чер 2006
I play the saxophone and I'm also a veteran news photojournalist and videographer. I'm moved by live performance and happy to share with you here all things musical.
Tottenville High School | THS Senior Sing 1989 | Nov. 19, 1988
Tottenville HIgh School, Staten Island New York
Переглядів: 54
Відео
RARE David Sanborn & Sonny Stitt with Gil Evans Orchestra - Umbria Jazz Festival Italy 1974
Переглядів 11 тис.6 місяців тому
David Sanborn and Sonny Stitt take alto saxophone solos on "Priestess" Gil Evans and his Orchestra Lew Soloff, Jon Faddis, Hannibal Marvin Peterson - trumpet Peter Gordon, Howard Johnson, Peter Levin Gil Evans, piano Tom Malone, trombone David Sanborn, alto sax John Stubblefield, soprano sax, tenor sax Billy Harper, tenor sax Trevor Koehler, baritone sax John Abercrombie, electric guitar Don Pa...
Everett Bradley at CBGB New York April 22, 1991
Переглядів 58Рік тому
Jerry Barnes - Bass Georgia Jones - Vocals Veronica Menyweather - Vocals Vinnie Miranda - Guitar Gregg Parrotto - Keyboards Shawn Pelton - Drums Video by: Charles Dharapak
Tottenville High School 1988 Holiday Concert Nov. 19 | Jazz, Symphonic, Marching Bands, Chorus
Переглядів 82Рік тому
Nathan Axel, Michael DeBetta, Bob Gresh Staten Island, New York
The Next Generation - Innovation - WNET/Thirteen PBS - May 1993
Переглядів 582Рік тому
Featuring: Monica Kyo Tariq Hook Claudine Madras Valerie Hernandez Jody Salyards With: Col. Guy Bluford Dr. Jonas Salk Dr. Antonia Novella Produced, Directed and Written by Rudy Gaskins Associate Producer: Jim Gleason Director of Photography: Richard Chisolm Editor: Bill Davis Assistant Editor and Production Assistant: Charles Dharapak
SK Mouthpieces reface Otto Link Super Tone Master 7* .105" Keilwerth Shadow SX-90R Tenor Sax
Переглядів 371Рік тому
Horn: Keilwerth Shadow SX-90R Reed: Fibracell 3.5
Right Side Up - June 3, 1989 at Giggles, Staten Island, NY
Переглядів 52Рік тому
June 3, 1989 "Right Side Up" Band John Edwards - Bass, Vocals Tommy - Guitar Joey Caruso - Drums Charles Dharapak - Saxophones, Keyboards
Right Side Up - June 2, 1989 at Giggles, Staten Island, NY
Переглядів 51Рік тому
June 2, 1989 "Right Side Up" Band John Edwards - Bass, Vocals Tommy - Guitar Joey Caruso - Drums Charles Dharapak - Saxophones, Keyboards
Run for Cover Marcus Miller Blue Note New York 3/24/23
Переглядів 4,4 тис.Рік тому
Marcus Miller plays "Run for Cover" at the Blue Note NYC
Marcus Miller Blue Note New York 3/24/23
Переглядів 709Рік тому
Marcus Miller band plays Tutu 10:30pm show: Friday, March 24, 2023 Blue Note NYC
Fabian Lim & Friends: David Sanborn Tribute - Run for Cover
Переглядів 1463 роки тому
Smooth Jazz Sundays: Tribute to David Sanborn Fabian Lim & Friends (Singapore) Sunday, July 4, 2021: Esplanade Outdoor Theatre This concert pays homage to a highly influential alto saxophonist, David Sanborn. His distinct alto saxophone tone and blues-based improvisation impacted how the instrument should sound with the popularity of electric amplified musical instruments from the 1970s. A mult...
Fabian Lim & Friends: David Sanborn Tribute - Since I Fell For You
Переглядів 953 роки тому
Smooth Jazz Sundays: Tribute to David Sanborn Fabian Lim & Friends (Singapore) Sunday, July 4, 2021: Esplanade Outdoor Theatre This concert pays homage to a highly influential alto saxophonist, David Sanborn. His distinct alto saxophone tone and blues-based improvisation impacted how the instrument should sound with the popularity of electric amplified musical instruments from the 1970s. A mult...
Fabian Lim & Friends: David Sanborn Tribute - Straight to the Heart
Переглядів 2333 роки тому
Fabian Lim & Friends: David Sanborn Tribute - Straight to the Heart
Dukoff Miami D8 Super Power Chamber Silverite Sax Vintage Mouthpiece on Yamaha YAS-23 Alto Saxophone
Переглядів 5 тис.3 роки тому
Dukoff Miami D8 Super Power Chamber Silverite Sax Vintage Mouthpiece on Yamaha YAS-23 Alto Saxophone
"Proud Mary" - Cotton Mouth Blues Band @ Apoteka Bangkok
Переглядів 1163 роки тому
"Proud Mary" - Cotton Mouth Blues Band @ Apoteka Bangkok
Deni Hines LIVE at An Dinh Palace in Hue, Vietnam
Переглядів 933 роки тому
Deni Hines LIVE at An Dinh Palace in Hue, Vietnam
"Rock Steady" - Deni Hines at An Dinh Palace, Hue, Vietnam
Переглядів 733 роки тому
"Rock Steady" - Deni Hines at An Dinh Palace, Hue, Vietnam
"Big Boss Man" - Cotton Mouth Blues Band @ Apoteka, Bangkok
Переглядів 2363 роки тому
"Big Boss Man" - Cotton Mouth Blues Band @ Apoteka, Bangkok
"Mississippi" - Cotton Mouth Blues Band @ Apoteka, Bangkok
Переглядів 1553 роки тому
"Mississippi" - Cotton Mouth Blues Band @ Apoteka, Bangkok
"Having a Real Bad Day" - Cotton Mouth Blues Band @ Apoteka, Bangkok
Переглядів 2583 роки тому
"Having a Real Bad Day" - Cotton Mouth Blues Band @ Apoteka, Bangkok
"Old Love" - Cotton Mouth Blues Band @ Apoteka, Bangkok
Переглядів 1593 роки тому
"Old Love" - Cotton Mouth Blues Band @ Apoteka, Bangkok
"Blues Rescue Me" - Cotton Mouth Blues Band @ Apoteka, Bangkok
Переглядів 1763 роки тому
"Blues Rescue Me" - Cotton Mouth Blues Band @ Apoteka, Bangkok
"One Way Out" - Cotton Mouth Blues Band & Friends @ Apoteka, Bangkok
Переглядів 2403 роки тому
"One Way Out" - Cotton Mouth Blues Band & Friends @ Apoteka, Bangkok
Bangkok Blues COVID-19 Virtual Jam นักดนตรีบลูส์กรุงเทพ Stay Home Blues อยู่บ้าน บลูส์ Thailand
Переглядів 9874 роки тому
Bangkok Blues COVID-19 Virtual Jam นักดนตรีบลูส์กรุงเทพ Stay Home Blues อยู่บ้าน บลูส์ Thailand
Acoustic Jam: Two Guitars and a Soprano Sax
Переглядів 1964 роки тому
Acoustic Jam: Two Guitars and a Soprano Sax
Yanagisawa A-9937 Solid Silver Alto Saxophone Theo Wanne Durga #8 Mouthpiece 9937 Sterling
Переглядів 1,6 тис.4 роки тому
Yanagisawa A-9937 Solid Silver Alto Saxophone Theo Wanne Durga #8 Mouthpiece 9937 Sterling
Nepal - Pokhara to Jomsom Tara Air Flight Twin Otter DHC-6/400 Plane Cockpit View
Переглядів 2,1 тис.4 роки тому
Nepal - Pokhara to Jomsom Tara Air Flight Twin Otter DHC-6/400 Plane Cockpit View
Listened to both of them growing up This is great to hear The one thing I got from it was that Sanborn wasn't afraid to play. He played like it was his last opportunity.
Both good
This was like walking to my mailbox and finding a million dollar check with my name on it. 👏 👏 👏 👏 👏 👏 👏 👏
Strange - he never talks about his time oversea and barely mentioned his step-father.
While he was a candidate? Very true. It's a story not easily understood by American voters. A community organizer from Chicago who grew up with his grandparents in Hawaii was exotic enough at the time.
Read his first book "Dreams from my Father" - Jakarta experience is in there.
Stitt's 50 here, Sanborn 29. We think of the guys from Stitt's era being as old as trees, or at least I tend to, but he was younger here than, say, Chris Potter is today.
that's right
Right ? I'm 52. Sonny looks like my grandpa.
First heard Sanborn on Evans album "Svengali"
Thank you so much for sharing these! It's Julie!
Hi Julie!!!!!
Never imagined Stitt and Sanborn on the same stage,with Gil no less! Just another treasure from Planet UA-cam!
RIP David
I vote for Sonny State
It's not a competition
Crazy literally two different styles and era’s of influential sax right there. Amazing Stitt and Sanborn.
Listen to the recording on the Evans Orchestra's "Priestess" album. Sanborn plays much more coherently in the first alto solo . . . and then Arthur Blythe blows him away.
Great post!!
Thanks!
Wow would’ve never thought this was out there. Thanks for sharing!
turned out to be a great player all of them
Wowee. I didn’t know this even existed
What a contrast between Sanborn and Stitt’s styles
Billy Harper compositions rule. Wish there were more large ensemble arrangements of them out there.
I have never heard sanborn this young before. Super interesting.
Look up the performance of "Paul Butterfield Blues Band at Woodstock" playing the Little Walter song "Everything is going to be Alright". ua-cam.com/video/h62W2ARtwU8/v-deo.html&ab_channel=cp03 That was 1969 so 5 years prior to this footage, I believe from interviews David Sanborn said he was 19 when Butterfield gave him his "break" by bringing him onboard and this gig. You can see some good information about this during Sanborn's interview for the documentary movie on Paul Butterfield's life called "Horn from the Heart". Sanborn says in there that he has never played with such a dynamic band "before or since" as Butterfield's band. I am aware of this as being a harmonica player 51 years and a fan of Butterfield but also who has most of David Sanborn's albums and have adapted a bunch of his songs/arrangements for harmonica. Very sad that Mr. Sanborn recently made his transition from this earth R.I.P.
@@gabrieln3613 awesome! thanks for sharing that with me!
@@clarinetninja you are welcome!
Gil Evans and his Orchestra Lew Soloff, Jon Faddis, Hannibal Marvin Peterson - trumpet Peter Gordon - fluegel horn Howard Johnson - fluegel horn, bass clarinet Peter Levin, fluegel horn, keyboards Gil Evans, piano, electric piano, music director Tom Malone, trombone David Sanborn, alto sax John Stubblefield, soprano sax, tenor sax Billy Harper, tenor sax Trevor Koehler, baritone sax John Abercrombie, electric guitar Don Pate, electric acoustic double bass Sue Evans, Warren Smith, drums, percussion Sonny Stitt, alto sax (guest @ 2:08)
Thanks for the personnel.
Sonny STITT I’d playing classic lines . David Sanborn is playing hot style , hard and loud. Wish Billy Harper was there .
When Stitt played i heard a progression, and his ideas dancing through the tune. Beautiful lines snd logic. No hysterics, just pure music. He was the chief. Period!
True. But with david we can hear what was TO COME . his sound was on another level.
@@TheRealG2024 well, it is not a competition. Both offered up their statement on that day and it's something we can revisit and enjoy. Stitt usually played over blues, bop, and standards. I don't think of David Sanborn as what's TO COME. He came out of many great black saxophonists. He presented what he did within electric R & B influenced instrumental music. It's all good.
@@ericperson56 😐
@@TheRealG2024David was just a funk ,smooth jazz player. Sonny is the leader of jazz language.
@@Zxx459 the jazz language continues to evolve. Next
David so young and scruffy. Really plays his ass off.
Abercrombie
🗣Sharkey!!!!🔥🔥🔥🔥
Not a Competition. Stitt is just BAAAAAADDD Like a mofo!!!
Agree. It's not a competition. But observers always like to pit players against each other 🙄
@@saxshooter The "competition compulsion" seems to be at disease level among guitar players. They seem to be unable to hear any guitar player play anything without forming a circle and start comparing "who is better than who". I play harmonica 51 years and listen to both of these players (had a swing & jazz band 10 years) and have adapted many Sanborn tunes/arrangements for harp (I have played much with many great horn players too) and must admit when I was hearing Sanborn burning on the clip, it was like "ooo how is Sonny going to follow that" but of course when he stepped up and his trademark tone started flowing like butter it was simple to ease into the pocket with him. No need to compare, they are both unique and great!
The Lone Wolf.....totally underrated..still.
Which one are you referring to? That could apply to either. But neither are really underrated.
@ChrisDragotta Sir,thanks for weighing in but in our experience the late great Sonny Stitt ,as far as we know ,read and heard was always referred to as " The Lone Wolf" as he basically NEVER had a regular working band and was a featured soloist but not too big a deal. In our mind Stitt is TOTALLY underrated till this day.Does the totally average ,young jazz fan know who Stitt is??Also never heard of David Sanborn referred to as " The Lone wolf",maybe we missed that all these years but never heard him referred to as that. Anyway,enjoy them both and whatever else you dig. Thanks...
"Stitt Plays Bird" was one of the first jazz albums I was told to buy by my older peers when I was starting to learn about jazz in 1989. He was a known force and very well regarded. Who does the ratings anyway to get the title underrated?
go forth young David Sanborn
He was the FUTURE right there and then.
Nice! I told Stephanie you posted 👍
Essa abracadeira é a de sax soprano?
Yes. It's a soprano sax ligature (hard rubber size)
@@saxshooter Obrigado, comprei uma dukoff de alto, estou procurando uma abracadeira certa que sirva para ela.
Awesome 😊
Missing the alto fire
great playing ! i have a question got my self theo wanne 8 like yours and i have mark 6 alto. thanking to self the mark 6 and get the Yani solid silver. do you think the yani sounds brighter then mark 6 ?
Hi there. I've since sold the A-9937 and I've kept my Mark VI. That Yanagisawa was a nice horn, but something about how all solid silver vibrates never really sat with me well. They say that if you are a dark player, the solid silver will accentuate the darkness of sound, and if you are a bright player it will be the opposite. I think it came down to the highs of the tone that I was hearing as a player and I didn't like as much what the A-9937 was producing for me and my set up. Before giving up your Mark VI try to spend some time with an A-9937 (or A-WO37) first.
This nigga going Plus Ultra
This Dude is a Straight Up Beast.
Maaaan, he took this song to a brand new place, and I LOVE IT! Reminds me of the ol sax solo
I don't even like jazz. But this is really outstanding. The guitarist is smoking. And the band - dang. They remind me of the 1970's Kool and the Gang.
Refreshing tastey notes!
Love this dude
🔥🔥🔥🔥 🙏🏽
😀🌱🎶💙
👏🏾👏🏾
i wonder whats the update on them now.
Great stuff 👍🎷😀!
Yeah! Its pretty good indeed! Big fat sound! And the Keilworth looks very nice also.
I was gonna say wait a sec Marcus wasn’t slapping 😂 then boom at the end he started slapping Da Bass!
Marcus plays what's appropriate for the song in the moment. He put a, warmer foundation/bed for Sharkey to launch off of. Sonically it allows the guitar to stand out more.
Hearing that tune never gets old. It's funny, that intro solo that Marcus played way back when was so good that it now has to be part of the tune in some form. For better or worse, Marcus is now kind of stuck with it.