Відео

While he was a candidate? Very true. It's a story not easily understood by American voters. A community organizer from Chicago who grew up with his grandparents in Hawaii was exotic enough at the time.

Read his first book "Dreams from my Father" - Jakarta experience is in there.

that's right

Right ? I'm 52. Sonny looks like my grandpa.

Hi Julie!!!!!

It's not a competition

Thanks!

Look up the performance of "Paul Butterfield Blues Band at Woodstock" playing the Little Walter song "Everything is going to be Alright". ua-cam.com/video/h62W2ARtwU8/v-deo.html&ab_channel=cp03 That was 1969 so 5 years prior to this footage, I believe from interviews David Sanborn said he was 19 when Butterfield gave him his "break" by bringing him onboard and this gig. You can see some good information about this during Sanborn's interview for the documentary movie on Paul Butterfield's life called "Horn from the Heart". Sanborn says in there that he has never played with such a dynamic band "before or since" as Butterfield's band. I am aware of this as being a harmonica player 51 years and a fan of Butterfield but also who has most of David Sanborn's albums and have adapted a bunch of his songs/arrangements for harmonica. Very sad that Mr. Sanborn recently made his transition from this earth R.I.P.

@@gabrieln3613 awesome! thanks for sharing that with me!

@@clarinetninja you are welcome!

Thanks for the personnel.

True. But with david we can hear what was TO COME . his sound was on another level.

@@TheRealG2024 well, it is not a competition. Both offered up their statement on that day and it's something we can revisit and enjoy. Stitt usually played over blues, bop, and standards. I don't think of David Sanborn as what's TO COME. He came out of many great black saxophonists. He presented what he did within electric R & B influenced instrumental music. It's all good.

@@ericperson56 😐

​@@TheRealG2024David was just a funk ,smooth jazz player. Sonny is the leader of jazz language.

@@Zxx459 the jazz language continues to evolve. Next

Agree. It's not a competition. But observers always like to pit players against each other 🙄

@@saxshooter The "competition compulsion" seems to be at disease level among guitar players. They seem to be unable to hear any guitar player play anything without forming a circle and start comparing "who is better than who". I play harmonica 51 years and listen to both of these players (had a swing & jazz band 10 years) and have adapted many Sanborn tunes/arrangements for harp (I have played much with many great horn players too) and must admit when I was hearing Sanborn burning on the clip, it was like "ooo how is Sonny going to follow that" but of course when he stepped up and his trademark tone started flowing like butter it was simple to ease into the pocket with him. No need to compare, they are both unique and great!

Which one are you referring to? That could apply to either. But neither are really underrated.

@ChrisDragotta Sir,thanks for weighing in but in our experience the late great Sonny Stitt ,as far as we know ,read and heard was always referred to as " The Lone Wolf" as he basically NEVER had a regular working band and was a featured soloist but not too big a deal. In our mind Stitt is TOTALLY underrated till this day.Does the totally average ,young jazz fan know who Stitt is??Also never heard of David Sanborn referred to as " The Lone wolf",maybe we missed that all these years but never heard him referred to as that. Anyway,enjoy them both and whatever else you dig. Thanks...

"Stitt Plays Bird" was one of the first jazz albums I was told to buy by my older peers when I was starting to learn about jazz in 1989. He was a known force and very well regarded. Who does the ratings anyway to get the title underrated?

He was the FUTURE right there and then.

Yes. It's a soprano sax ligature (hard rubber size)

@@saxshooter Obrigado, comprei uma dukoff de alto, estou procurando uma abracadeira certa que sirva para ela.

Hi there. I've since sold the A-9937 and I've kept my Mark VI. That Yanagisawa was a nice horn, but something about how all solid silver vibrates never really sat with me well. They say that if you are a dark player, the solid silver will accentuate the darkness of sound, and if you are a bright player it will be the opposite. I think it came down to the highs of the tone that I was hearing as a player and I didn't like as much what the A-9937 was producing for me and my set up. Before giving up your Mark VI try to spend some time with an A-9937 (or A-WO37) first.

Marcus plays what's appropriate for the song in the moment. He put a, warmer foundation/bed for Sharkey to launch off of. Sonically it allows the guitar to stand out more.